FIL2400 - History of the American Cinema
Week 2 - The Classical Hollywood Style
Film makers such as Martin Scorsese and Joseph Mankiewicz, award- winning cinematographers and editors, and prominent film historians provide a comprehensive introduction to the broad themes and stylistic tendencies of Hollywood films. Featuring clips of films from Scarface (1932) to Grand Canyon (1992), this segment explores the relative coherence of Hollywood style as art form, as technological product, as communications system, and as cultural artifact.
Ron Magid, "Godzilla Lives", American Cinematographer Magazine, June 1998, http://www.cinematographer.com/magazine/jun98/godzilla/art1/index.htm
"The Beginnings of Photographic Composition", The Eastman Kodak Company, 1994-1998, http://www.kodak.com/global/en/consumer/education/programs/
composition/photoProgramCompMainClass.shtml
Television Assignment
Sunday Night/Monday morning - September 14
Midnight - 1:00 AM
Program 1 - The Classical Hollywood Style
Additional Screenings
*Citizen Kane (Edison Library - PN 1997 .C518 1980)
*Goodfellas
All About Eve
Scarface (1932)
Shadow of a Doubt
The Gold Rush
Some Like it Hot
Learning Objectives
A. Recognize and use formal film terms
B. Trace in broad outlines the changes in American society and world
culture that enabled Hollywood to emerge as an entertainment
institution;
C. Perceive the relationship between Hollywood's technology and art
D. Grasp the central elements of classical Hollywood narrative - linearity
and a concern with individual characters and their goals
E. Begin to see the central elements of classical Hollywood formal style,
particularly its use of space.
F. Understand the concept of identification as it relates to classical
Hollywood style
G. Describe the importance and implications of seamless editing in
Hollywood films
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